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The night’s second dance was the Romantic icon “La Sylphide,” choreographed by the renowned 19th-century Danish choreographer August Bournonville in1836. “Sylphide” offered viewers a radically different version of dance as intoxication and death, giving a chaste body to human longing for an ideal — a delicate fairy or sylph who seductively visits James, the young groom-to-be, as he sleeps in a chair by the fire. This chimera becomes an obsession and leads James to ignore danger — the witch Madge, whom he foolishly bars from the house. Out of revenge, she sets his sad fate into motion stretchy ballet shoes uk sale.
Mads Blangstrup as James endowed the role with the urgent energy of a young man seized by imagination and torn between fantasy and the less dazzling concrete world. Tearing through space, ticking off his tours like a man on springs, and embodying the existential divide with a courtly and expressive upper body and face, Blangstrup made this James a guy we championed. Caroline Cavallo, with an alluring, crooked smile and delicate arms, was a captivating if childlike sylph stretchy ballet shoes uk sale. Madge was danced with broad theatrical brilliance by Lis Jeppesen, who went toe-to-toe with Blangstrup for the spotlight. The corps in their ensemble dances were spot on and were supported in the pit by the Berkeley Symphony, conducted by Henrik Vagn Christensen — a stalwart companion throughout the night..
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