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From his first quintet, there’s the incandescent violinist Jenny Scheinman. Guitarist Jeff Parker played on Amendola’s 2010 trio album “Lift,” and clarinetist Ben Goldberg joined the drummer for an acclaimed plunge into the world of Thelonious Monk on 2007’s “Plays Monk.” Hammond B-3 organist Wil Blades, his longtime sparring partner in Amendola Vs. Blades, and bassist Zach Ostroff, his duo explorer in Turning into a Butterfly, are also on the bill, as is John Schott, one of the three guitarists from T.J. Kirk mens pointe shoes uk sale. “It’s an embarrassment of riches,” Amendola says..
I’ve written a lot about him over the years, and rather than cover familiar ground, it seemed like a good time to delve into Amendola’s formative influences. I asked him to choose five albums that played an essential role in his development. Not surprisingly, the list is rife with exploratory jazz and funk. I condensed his comments. 1. John Coltrane “Crescent” (Impulse!) 1964: John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass) and Elvin Jones (drums). “I encountered that record late in high school, one of the first CDs I bought. Growing up listening to jazz, I’d heard Coltrane, but that record was a bit of a game changer in how I heard music. It has this amazing band feel, the feel of Elvin Jones and Jimmy Garrison playing together. There’s a certain amount of space through the record mens pointe shoes uk sale. There’s a thing about the way Elvin plays the beat that hit me really hard.”..
2. Power Tools, “Strange Meeting” ( Antilles ) 1987: Bill Frisell (guitar), Melvin Gibbs (bass) and Ronald Shannon Jackson (drums). “This is a perfect record. Every moment is really sincere, and it all makes sense. I bought this when it came out, and the music was speaking to me so strongly. I was trying to figure out, how do I do this? That’s the sound I’m after.”. 3. “Funkify Your Life: The Meters Anthology” (Rhino/WEA) 1972-77Art Neville (keyboards), George Porter Jr. (bass), Leo Nocentelli (guitar) and Zigaboo Modeliste (drums)“I was playing in this band when I was at Berklee, and we were covering ‘Hey Pocky A-Way.’ The bassist gave me this cassette, and I used to practice to it for hours and hours. Zigaboo is changing the backbeat around, doing this thing that really speaks to me. The Meters wrote these songs around their whole culture of New Orleans and funk and second line, and he made it his own. When I met Charlie Hunter and we started playing together, it was easy for me to do that with him mens pointe shoes uk sale. When we made ‘Ready…Set…Shango!’ the goal was to dance around the backbeat because we loved The Meters.”..
4. Fela Kuti “The ’69 Los Angeles Sessions” (Sterns Music)Fela Kuti (vocals and saxophone), Tony Allen (drums) and others“At Berklee one year, I was in an Afrobeat ensemble, and this was the first album of his I got. Fela and his band went to L.A. and heard James Brown, and they were both changed. The drummer Tony Allen reminded me of Zigaboo. They might be playing patterns, but there’s so much else there. I listen to Tony Allen even today. He’s still making amazing records, his whole concept about changing around the groove, not playing two and four. He doesn’t play very hard mens pointe shoes uk sale. That’s not his thing. But it’s so powerful.”..
5 mens pointe shoes uk sale. Geri Allen “Twylight” ( Minor Music ) 1989Geri Allen (piano), Jaribu Shahid (bass), Tani Tabbal (drums, percussion) and others“This album was important to me. I was at Berklee and bought it when it came out. Maybe I’d heard a track on the radio. I was so intrigued by the concept and how it all worked together. She made a jazz record and had this singer that wasn’t like jazz vocalist. The way the rhythm section felt so loose but together. Geri made the record she wanted to make. This is who I am, and that spoke to me. You have to use the word brave with Geri Allen. All these records are so unique and interesting, how these musicians are themselves. They made me feel like I was less of a weirdo.”..