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“At 8 or 9, I used to tour around with him and watch him dance it, and it really moved me to the point where I sometimes started to cry while watching him,” Anderson recalls. “Later, I danced it for a couple years, and it almost became a signature for me. It’s very physical and very fulfilling as a dancer. You use everything you can emotionally, technically, physically.”. Presenting “Tovernon” is one sign of Anderson’s confidence in his crew how to maintain pointe shoes uk sale. Slimmed down in recent years due to the tough economic times from a high of 14 to the present contingent of 10, Company C has consistently attracted strong, versatile dancers capable of tackling demanding pieces. This season there’s “Pulse,” an intensely physical dance set to David Lang’s music by Daniel Ezralow, a founder of the crowd-pleasing, gymnastically inclined company MOMIX..
Whether performing the world premiere of an incisive new work by Twyla Tharp or commissioning new dances by leading choreographers, Company C is making the dance world take notice. San Francisco Ballet resident choreographer Val Caniparoli cut loose with Company C in 2009 with “boink!” a witty, amusing ballet set to the playful, finely crafted lounge music of Juan Garcia Esquival. “What people are impressed with is Charles’ ability to keep it thriving, challenging his audiences,” Caniparoli says. “The arts world is taking notice. I’m not sure the general public has caught up yet, but they will. It’s a really good company of versatile dancers who will try anything how to maintain pointe shoes uk sale. They seem to be fearless.”..
If Anderson holds his company to high standards, consider his dance pedigree. The son of two accomplished artists, San Francisco Ballet principal David Anderson and soloist Zola Dishong, he immersed himself in dance at a young age, receiving full scholarships to the San Francisco Ballet School, the Joffrey Ballet School, the American Ballet Theatre School and the School of American Ballet how to maintain pointe shoes uk sale. During his tenure at the New York City Ballet from 1985-93, he performed works of George Balanchine, Jerome Robbins, Peter Martins and numerous other illustrious choreographers, but his initial and biggest influence was his father..
Anderson got his first break as a choreographer after his father had to pass on a commission by the South Carolina Dance Theatre when he took on another gig how to maintain pointe shoes uk sale. “I was maybe 22 or 23 dancing with New York City Ballet, and he asked if I wanted to choreograph it,” Anderson says. “When I finished I showed it to him, and the first thing he said was, ‘Well, you’ve shown you’re a very good step arranger, now you have to become a choreographer. You have to put yourself into it.’ I got to grow up with conversations like that.”..
Founding Company C was the result of another lucky break. After an injury ended his dance career, Anderson ended up settling in the East Bay. Occasional opportunities to make dances presented themselves, but in the summer of 2002, San Francisco’s Cowell Theater invited him to participate in a dance series. He quickly pulled together a solid group of dancers, and the result was Company C how to maintain pointe shoes uk sale. While Anderson credits the savvy fiscal leadership of executive director Elizabeth Reed for the ensemble’s steady rise, Company C reflects its artistic director’s creative ambition..